{"id":7596,"date":"2010-03-16T09:30:16","date_gmt":"2010-03-16T14:30:16","guid":{"rendered":"http:\/\/countingpips.com\/fx\/?p=7596"},"modified":"2010-03-16T09:30:16","modified_gmt":"2010-03-16T14:30:16","slug":"what-can-movies-tell-you-about-the-stock-market","status":"publish","type":"post","link":"https:\/\/www.investmacro.com\/fx\/2010\/03\/16\/what-can-movies-tell-you-about-the-stock-market\/","title":{"rendered":"What Can Movies Tell You About the Stock Market?"},"content":{"rendered":"<h3><span style=\"font-size: x-small;\">By Editorial Staff<\/span><\/h3>\n<p>The  following article is adapted from a special report on  &#8220;Popular Culture and  the Stock Market&#8221; published by Robert Prechter,  founder and CEO of the  technical analysis and research firm Elliott  Wave International. Although  originally published in 1985, &#8220;Popular  Culture and the Stock Market&#8221;  is so timeless and relevant that USA  Today covered its insights in a recent  Nov. 2009 article. For the rest  of this revealing 50-page report, <span style=\"text-decoration: underline;\"><strong><a href=\"http:\/\/www.elliottwave.com\/r.asp?acn=9cp&amp;rcn=aa82&amp;dy=aa031510&amp;url=\/club\/popular-culture\/default.aspx?code=37656%26ARTICLEID=1315\">download   it for free here<\/a><\/strong><\/span>.<\/p>\n<p>This year&#8217;s  Academy Awards gave us movies about war (<em>The  Hurt Locker<\/em>), football (<em>The  Blind Side<\/em>), country music (<em>Crazy  Heart<\/em>) and going native (<em>Avatar<\/em>),  but nowhere did we see  a horror movie nominated. In fact, it looks like <em>Sweeney  Todd, The  Demon Barber of Fleet Street<\/em> was the most recent to be nominated   in 2008, for art direction (which it won), costume design and best  actor,  although the last one to win major awards for Best Picture,  Director, Actor and  Actress was <em>The Silence of the Lambs<\/em> in  1991.<\/p>\n<p>Whether horror  films win Academy Awards or not,  they tell an interesting story about mass psychology.  Research here at  Elliott Wave International shows that horror films proliferate  during  bear markets, whereas upbeat, sweet-natured Disney movies show up during   bull markets. Since the Dow has been in a bear-market rally for a  year, now is  not the time for horror films to dominate the movie  theaters. But their time  will come again.<\/p>\n<p>In the  meantime, to catch up on why all kinds of  pop culture &#8212; including fashion,  art, movies and music &#8212; can help to  explain the markets, take a few minutes to  read a piece called <strong><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.elliottwave.com\/r.asp?acn=9cp&amp;rcn=aa82&amp;dy=aa031510&amp;url=\/club\/popular-culture\/default.aspx?code=37656%26ARTICLEID=1315\">Popular   Culture and the Stock Market<\/a><\/span><\/strong>, which Bob Prechter wrote in 1985.  Here&#8217;s an  excerpt about horror movies as a sample.<\/p>\n<p>* * * * *<\/p>\n<blockquote><p><em>From <\/em>Popular  Culture and the Stock  Market <em>by Bob Prechter <\/em><\/p>\n<p>While musicals, adventures, and comedies weave  into the pattern,  one particularly clear example of correlation with  the stock market is provided  by horror movies. Horror movies descended  upon the American scene in 1930-1933,  the years the Dow Jones  Industrials collapsed. Five classic horror films were  all produced in  less than three short years. <em>Frankenstein<\/em> and <em>Dracula<\/em> premiered in 1931, in the middle of the great bear market. <em>Dr.  Jekyll and  Mr. Hyde<\/em> played in 1932, the bear market bottom year  and the only year  that a horror film actor was ever granted an Oscar. <em>The  Mummy<\/em> and <em>King  Kong<\/em> hit the screen in 1933, on the  double bottom. These are the classic  horror films of all time, along  with the new breed in the 1970s, and they all  sold big. The message  appeared to be that people had an inhuman, horrible side  to them. Just  to prove the vision correct, Hitler was placed in power in 1933  (an  expression of the darkest public mood in decades) and fulfilled it. For   thirteen years, lasting only slightly past the stock market bottom of  1942,  films continued to feature Frankenstein monsters, vampires,  werewolves and  undead mummies. Ironically, Hollywood tried to introduce  a new monster in 1935  during a bull market, but <em>Werewolf of London<\/em> was a flop. When film  makers tried again in 1941, in the depths of a  bear market, <em>The Wolf Man<\/em> was a smash hit.<\/p>\n<p>Shortly after the bull market in stocks resumed  in 1942, films abandoned dark,  foreboding horror in the most sure-fire  way: by laughing at it. When Abbott and  Costello met Frankenstein,  horror had no power. That decade treated moviegoers  to patriotic war  films and love themes. The 1950s gave us sci-fi adventures in  a  celebration of man\u2019s abilities; all the while, the bull market in stocks   raged on. The early 1960s introduced exciting James Bond adventures  and happy  musicals. The milder horror styles of the bull market years  and the limited  extent of their popularity stand in stark contrast to  those of the bear market  years.<\/p>\n<p>Then a change hit. Just about the time the stock  market was peaking, film  makers became introspective, doubting and  cynical. How far the change in  cinematic mood had carried didn\u2019t become  fully clear until 1969-1970, when <em>Night  of the Living Dead<\/em> and <em>The Texas Chainsaw Massacre<\/em> debuted. Just  look at the  chart of the Dow [not shown], and you\u2019ll see the crash in mood that   inspired those movies. The trend was set for the 1970s, as  slice-and-dice  horror hit the screen. There also appeared a rash of  re-makes of the old  Dracula and Frankenstein stories, but as a dominant  theme, Frankenstein  couldn\u2019t cut it; we weren\u2019t afraid of him any  more.<\/p>\n<p>Hollywood had to horrify us to satisfy us, and  it did. The  bloody slasher-on-the-loose movies were shocking versions  of the \u201930s\u2019 monster  shows, while the equally gory zombie films had a  modern twist. In the 1930s, <em>Dracula<\/em> was a fitting allegory for  the perceived fear of the day, that the aristocrat  was sucking the  blood of the common people. In the 1970s, horror was  perpetrated by a  group eating people alive, not an individual monster. An army  of  dead-but-moving flesh-eating zombies devouring every living person in  sight  was a fitting allegory for the new horror of the day, voracious  government and  the welfare state, and the pressures that most people  felt as a result. The  nature of late \u201970s\u2019 warfare ultimately reflected  the mass-devouring visions,  with the destruction of internal  populations in Cambodia and China.<\/p><\/blockquote>\n<p>Learn  what&#8217;s <em>really<\/em> behind trends in the stock  market, music, fashion,  movies and more&#8230; <strong><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.elliottwave.com\/r.asp?acn=9cp&amp;rcn=aa82&amp;dy=aa031510&amp;url=\/club\/popular-culture\/default.aspx?code=37656%26ARTICLEID=1315\">Read   Robert Prechter&#8217;s Full 50-page Report, &#8220;Popular Culture and the Stock   Market,&#8221; FREE<\/a><\/span><\/strong><\/p>\n<hr size=\"1\" \/>Elliott  Wave International (EWI) is the world\u2019s largest market  forecasting firm. EWI\u2019s  20-plus analysts provide around-the-clock  forecasts of every major market in  the world via the internet and  proprietary web systems like Reuters and  Bloomberg. EWI\u2019s educational  services include conferences, workshops, webinars,  video tapes, special  reports, books and one of the internet\u2019s richest free  content  programs, Club EWI.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This year&#8217;s Academy Awards gave us movies about war (The Hurt Locker), football (The Blind Side), country music (Crazy Heart) and going native (Avatar), but nowhere did&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-7596","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/www.investmacro.com\/fx\/wp-json\/wp\/v2\/posts\/7596","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.investmacro.com\/fx\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.investmacro.com\/fx\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.investmacro.com\/fx\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.investmacro.com\/fx\/wp-json\/wp\/v2\/comments?post=7596"}],"version-history":[{"count":0,"href":"https:\/\/www.investmacro.com\/fx\/wp-json\/wp\/v2\/posts\/7596\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.investmacro.com\/fx\/wp-json\/wp\/v2\/media?parent=7596"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.investmacro.com\/fx\/wp-json\/wp\/v2\/categories?post=7596"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.investmacro.com\/fx\/wp-json\/wp\/v2\/tags?post=7596"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}